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Here we go again! Just when you thought it was safe to come back here! Surprise. Another crazy old song edition!!!

...her icon..

More Craziness! Is there no end to it?
Be sure to click on the "Link", marked in red letters. Thanks!




Don McLean / Vincent ( Starry Starry Night )
It's completely unique in pop music, a truly inspired "appreciation" of artist Vincent Van Gogh. Don McLean is a master at making taking eccentric little realities and making them mainstream. This song is second only to American Pie, in it's popularity, and it never ceases to be a song of awesome sentimental power. He casts Vincent as an immensely sympathetic character, who is worthy of our love and our admiration, even though perhaps the words go a bit too far in equating Van Gogh's suicide with that of fictitious lovers in turmoil. Still..who cares? The song is astounding, and I wish I had written it.
I played in an orchestra that backed up Don McLean once. It was on a double-bill with him and Blood Sweat, and Tears. He was a very laid-back pro. He loved his audience and he had this low-key way of delivering the goods. After a few minutes he had the audience in the palm of his hand, as all the great entertainers do. The performer becomes a conduit between the audience and the magical musical realities the seek with such fervor.
This clip is from 1972, and it's a really first class performance, masterful in every way.
[link] ...


Etta James / At Last
Here is one of the classics of the jazz-blues idiom, presented by the soul-stirring Etta James. She makes her points with sheer musical enthusiasm, and the lyrics provide ample romantic fantasy, as you can see from the following.
I found a dream that I could speak to
I dream that I can call my own.
I found a thrill to press my cheek to
I thrill that I have never known
You tube clip has Etta singing her perfected recording version, with the bluesly-est strings I've ever heard, and I've heard some bluesy ones. The video part is from the movie, "Wild at Heart" with Nicholas Cage and Laura Dern. It's pretty crazy, and entertaining in the extreme.
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Barry Manilow / Could it be Magic
That's right. I'm not reallya "Fanilow", but I'm talking about Manilow. Some people, the envious, the lazy, the musically unlettered, go ballistic at the very mention of his name, and call him "Barry Vanilla". Ok. Ok...even the Cliffster can't take "I Made it through the Rain". Nonetheless, the skill, musicianship, comittment and professionalism of the man can't be denied, let alone his huge audience appeal, and scores of solid gold hits. Now, let's get on with the "crazy" connection.
Based on Chopin's haunting Prelude in c minor, Op. 28, Number 20, this work of Barry's must be one of the most bizarre in the pop repertoire, bar none. They lyrics jump right into a romantic reverie about a "sweet Melissa, angel of my lifetime"...are you hearing this? The lovely Chopin harmony continues to weave it's spell as Barry transforms it into a passionate, ecstasy of sublime sensation.
Baby I love you, come, come, come, come
Come into my arms,
Let me know the wonder of all of you,
Baby I want you, now, now, now, now,
Now and hold on fast,
Could this be the magic at last.
Does that look or sound like Vanilla to you? Hmm...I don't know what Ice Cream Shoppe you've been hanging out at, but, where I come from, this little curiosity would be a true hot caramel sundae with the finest whipped cream, marascino cherries, and nuts. Lots and lots of nuts! Yum! The song is, indeed, a cornucopia of craziness.
At the end of the fury, he returns to the final eight bars of the original Chopin piece. Could it be magic? You're damn right. Could it be crazy! Deliriously so!
This You Tube clip should be against the law as it's quality is so poor, but it's been shot sereptitiously at some sort of concert or open rehearsal and you simply have to use your imagination. You can tell he's putting out as full and as wild a version as you would expect from such a gifted performer. Unfortunately, he doesn't do the Chopin ending, but it's still a knock-out performance in spite of the poor sound and cave-man production qualities.
[link]...



The Carpenters / Superstar
This is, of course, one of The Carpenters stand-out songs, and this particular video is awesome in it's camera angles of Karen. There's nothing Crazy about the song or the video. What's crazy is my own affection for the memory of Karen Carpenter. As you can see from the little deviation above, where I made a shrine to Janis and Karen, I must have this particular neurosis pretty bad, along with millions of other men.
There was something about Karen that transformed our hearts, especially us men. It's a hard thing to pin down, but Karen had "both oars in the water", as people used to say. Her darkly feminine voice gave us something...a gift of some special ethereal magic. It was a voice at once sensual, and yet, full of integrity, too. I think that is why she gained so many fans while she lived, as well as many more since her untimely death.
[link] ...






Joni Mitchell / The Circle Game
DA has so many wonderful portraits of Joni Mitchell. It's really good to see her garner so much respect and admiration. I had to have at least one of her songs represented in this special collection, and it was a toss-up between this one, and "Big Yellow Taxi". In the end this one became the song of choice for this rarefied category.
Joni is completely and utterly beguiling in every way. The Circle Game is one of her many appealing songs that seems to deal with a simple philosophy of life, and what that is..is...uh.. .uh....hold on...I'll think of it in a minute.
Well, you see, we are "captive on a carousel of time", and we can only look around from "where we came" and then we go "round and round and round in a Circle game. Oh yes, don't forget the line, "Yesterday, the child came out to play.
You just have to be there, as they say. Anyway, trust me, it's the "Oh Wow" song of the week. After listening, you can only come away with "Oh, wow. Oh, wow".
This clip is one of those with just a still picture, and has a recording ot a 1972 Carnegie Hall performance. Joni was an old trouper and has been traveling across the world for years, performing her music to ever expanding audiences. Have a listen and you'll be going "Oh wow", too. Your senses will leave you and the folk undertow will carry you away to Bonkersville.
[link]...



Kenny Rogers / The Gambler
Awesomely crazy is a rare quality, but it certainly fits Kenny Rogers legendary "The Gambler", and, yet, it is such a force of fundamental logic, as well. Everyone seems to know this song, in every language and milieu on earth. It's universal appeal transcends the Americana from which it was derived. One can easily imagine a Liverpool version, or a Tokyo version, or a Siberian version. The simple truths of this song are fundamental in any place and time. In fact, if it were not for this song, and other Kenny Rogers songs, like "Coward of the County", many young people would be raised without any old-fashioned wisdom or nitty-gritty veritas at all.
The general appeal of the song is simply overwhelming. I was once in an elementary school on the last day of their session. As the kids were all departing, someone went to the office and put an oldies CD on the PA system, just for the sheer hell of it. The first song up was The Gambler. The whole building became instantly mesmerized as the tale of the "Warm summer's evening, on a train bound for nowhere", unravelled itself. Teacher's, students, Moms and Dads all sat or stood and "grooved" to Kenny's Gambler
Just for the record, here's an ace you can keep. The Gambler brings people together. Take my ex son-in-law, for example, whom I refer to as "the putz" ( well...if he were your ex-son-in-law, you'd call him the putz, too. ) . We never saw eye to eye on anything, even though he was an artist. I said "potato"; he said "potahtoe". I liked to paint pictures of girls; he liked to paint pictures of trash cans. ( No, I'm not kidding ) I loved ice cream and cake, and he had nothing but disdain for sweets. On and on it went. We didn't agree on anything, until one day, we realized we both liked Kenny Rogers' songs. We were both so surprised and embarrassed, but the truth was out there...we had something in common. "Then he bummed a cigarette, and asked me for a light", was something the Putz did all the time, and I was always telling him, "If you're gonna play the game, boy, you gotta learn to play it right".
This first clip is fairly recent and is truly up-tempo with Kenny being his sparkling self. The audience looks like truly gentrified folks from Nashville or Dallas who sing along with the choruses. Their true-believer seriousness is almost scary.
[link]Compare that one to this clip is from Jim Henson's The Muppet Show, which features Kenny and the Muppets. It's so dang funny, your sides will split. The tempo is normal and the action is all aboard the train. This skit was made before the song took on the iconic air it has today.
[link].........
Thanks, everyone, for viewing this and leaving me some really nice new comments about your own favorites. There is going to be one more addition of this series...I'm warning you...and it will have some of your favorite crazy recommendations.